Watcher in the Shadows

As I noted when reviewing Geoffrey Household’s A Rough Shoot back in the early spring, Household knew how to open a thriller. In Watcher in the Shadows, another Cold War-era shocker, he sends a postman to Charles Dennim’s front door on page one and blows him in half on page two. The novel barely slows down from there.

Dennim lives a quiet life in a rural English village. He’s an expert zoologist specializing in squirrels and shares the house—now missing most of its windows—with his widowed aunt. What presumably only he, a friend in British intelligence, and the unknown person who sent him a mailbomb know is that he is actually Charles von Dennim, scion of an aristocratic Austrian family and, during the Second World War, a double agent working undercover as part of the SS staff at Buchenwald concentration camp.

Now, ten years on from the war and in his early forties, Dennim prefers not to think about all this. He carries on his research into small mammals and enjoys his leisurely outdoor pursuits, including hunting and horseback riding with Aunt Georgina, an accomplished riding instructor. The abortive mail bomb gives him pause. Perhaps it was meant for someone else, though none of his neighbors strike him as the likely targets of assassination. But a few days later he receives a postcard—a photo of Buchenwald with a X marked over one building, the officers’ mess.

His past is known to someone, somewhere, albeit not in full. Dennim had successfully fed intelligence to the British during his time at Buchenwald and arranged the escapes of several important female political prisoners. He risked his life and his sanity—the moral damage done not only to his mind but to his sense of honor by the secrecy of his role comes up several times—in order to undermine the Nazis, though the nature of his work means neither he nor the British government can acknowledge it.

Dennim investigates and finds that several other men associated with Buchenwald—two officers and a truck driver—had recently been murdered in mysterious circumstances. One was tortured for days, hinting that the killings are motivated by something highly personal. Dennim, not least because he is not guilty of the crimes his enemy apparently seeks to avenge, determines not to be next.

This leads into the bulk of the novel, a series of removes from place to place in the English countryside as Dennim tries to lure the killer into a trap. Thinking of himself as a goat staked out for a hidden tiger, Dennim learns quickly that his enemy is smart, observant, and supremely cautious. A misstep on his own part might send the assassin into hiding for months, long enough to drive Dennim mad or render him complacent, an easy target. He must proceed carefully if he wants to force a confrontation.

Along the way Dennim finds allies in unlikely places—a retired admiral, a pub landlord, a sharply observant working class laborer—as well as, for the first time in his life as a bachelor spy-cum-zoologist, love. Benita, the admiral’s daughter, is no merely obligatory love interest but proves especially important, as by the time Dennim confronts his enemy one-on-one at a remote Cotswolds barn, he has much more at stake in his life than when the hunt began.

Watcher in the Shadows has many of the hallmarks and strengths of the other Household novels I’ve read so far: strong, lean prose, energetic pacing, continuously building tension and suspense, and beautifully realized outdoor settings. But a number of other factors set it apart and make it unusually rich and thought-provoking.

The first is Dennim’s romance with Benita. Household, as I’ve noted about Buchan before him and Ambler, his close contemporary, is not an author one would normally associate with a romantic subplot, but like both he can evoke newly kindled love simply and poignantly, in ways that both enrich the characters and matter to the plot.

The next is the depth of Dennim’s prior experiences undercover. Without giving too much away, Dennim’s secret is known to more people than himself, his enemy, and his few contacts in British Intelligence, and his postwar history is more complicated than his simple career studying squirrels may at first suggest. Buchenwald and secrecy damaged him, and coming to understand this both reveals hidden depths in other characters and plays an important role in learning how to defeat his enemy.

The last is the enemy himself. Again, I want to avoid spoiling the book, but the man trying to kill Dennim has a surprising connection to Buchenwald and to Dennim—that is, to the von Dennim family, now reduced to a widowed aunt and a bachelor squirrel expert but once a powerful noble dynasty. This connection and the mostly vanished world it evokes leads Dennim and his enemy backward in time, past genocide and the amorality of the nation state to the chivalric code of honor shared by those of noble blood. It is blood, in fact, that helps save Dennim’s life at the end.

Plenty of spy novels acknowledge or ruminate on the damage done by the secrecy, deceit, and pragmatism of espionage, but few offer an alternative, much less an alternative rooted in the past. By the end of Watcher in the Shadows, honor and honesty have given two irreconcilable enemies common ground in which to resolve their differences. Dennim’s duel with the enemy moves from the metaphorical—chess, cat and mouse, tiger and goat—to the literal. Their long fight at the barn is a sustained masterpiece of suspense and, thanks to the contrast between old world honor and modern technocratic nihilism running through the book, a challenging moral contest.

I read Watcher in the Shadows for the thrills and suspense and Household, true to form, didn’t disappoint. But the novel reaches a moral and cultural depth I found surprising—and inspiring. This is as good a thriller as any Buchan, Ambler, or Ian Fleming produced, and is well worth reading.

A Rough Shoot

Geoffrey Household knew how to open a thriller. His most famous book, Rogue Male, published in 1939 and which I read just over three years ago, begins with its unnamed protagonist in the hands of an unnamed central European dictatorship’s unnamed secret police, who have tortured him nearly to death and are about to dispose of him using a convenient cliff. Believe it or not, the situation escalates from there.

A Rough Shoot, published in 1951, continues this tradition. Roger Taine, a former British Army infantry colonel and now a salesman and family man, is walking the patch of Dorset farmland to which he’s purchased the hunting rights when he spots two men in the bushes. The sun is going down and he can’t see clearly what they’re doing, but they seem to be rigging up traps and he assumes them to be poachers. When one of them, backing through the hedge on hands and knees, presents his backside as a target, Taine decides to give the poachers a painful scare. He levels his shotgun and gives the man a load of birdshot.

The man collapses and his companion flees. Taine realizes that something has gone wrong. He approaches the man he shot where he lies unmoving on the ground and rolls him over. The men had been putting down big triangular stakes for some kind of device and, when Taine shot him, the man had fallen chest-first onto one of them.

None of this is a spoiler—it all happens in the first three pages. The rest of the novel is Taine’s attempt to deal with the consequences and discover who the two men were and what they were doing.

A Rough Shoot, like Rogue Male, has the Buchanesque qualities of vividly realized landscapes and the continuous chase. Taine’s predicament evolves as newer and greater dangers present themselves, keeping the ongoing action fresh and exciting. From Taine’s attempt to conceal the body and his realization that more and more suspicious men are poking around his shoot, asking questions of the tenant farmer and landowner and wanting to find out more about him, to his meeting with an former Polish commando whose story of exile, unofficial espionage, and a rising neo-fascism coordinating itself across Western Europe, A Rough Shoot escalates continuously in tension and stakes. What begins as a personal crisis for Taine—he is guilty, by his estimation, of manslaughter at least—turns into a tiny local battle in the ruins and upset of the postwar.

I can’t say much more without revealing too many specifics, but Taine’s business, wife, and children are inevitably drawn into a plot begun by Taine’s one impetuous, high-spirited act, and the first half’s smothering tension of concealment, silence, and stalking—the suspense of hunting—gives way in the final third to the chase: the prey flushed, the hunters pursuing.

I reflected a couple years ago on what it must have been like, in the 1940s and 50s, to visit the bookstalls and see a steady stream of novels like this—unpretentious gems of pure craft and enjoyment—flowing from publishers. Reading A Rough Shoot, a slender novel with no chapter divisions, just steadily building story, I could imagine myself traveling by train and needing a good page turner. A Rough Shoot would have fit the bill back then and, thanks to the strength of its simple but tense and Household’s exquisite craft, it still does. It’s inventive and exhilarating and was one of the joys of our recent time snowed in. This is only the second Household thriller I’ve read, but there will be more.